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          | Chapter 4: | Examination 
            of the Chest |   |   
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          |  | Thoracic expansion The patient’s chest wall normally expands symmetrically 
              during deep inhalations, and the RCP can evaluate the expansion 
              on both the anterior and posterior chest. The RCP first places hands 
              over the anterolateral chest, extending the thumbs along the costal 
              margin toward the xiphoid. To evaluate it posteriorally, the hands 
              are placed over the posterolateral chest, with thumbs joining at 
              approximately T8. Instruct the patient to exhale slowly and completely. 
              Once completed, the RCP’s fingertips are secured against the sides 
              of the patient’s chest, extending the thumbs toward the midline 
              until their tips meet at the midline. The patient is then instructed 
              to take a full deep breath. The RCP takes note of the distance each 
              thumb moves away from the midline. Normal movement is about 3-5 
              cm for each thumb. |    Bilateral reduction in chest expansion can usually be 
        seen in patients with diseases affecting the expansion of both lungs. 
        Unilateral reduction in expansion is indicative of a respiratory disease 
        that impedes expansion of one lung, such as lobar consolidation, pleural 
        effusion, atelectasis, or pneumothorax. The skin and subcutaneous tissues of the chest 
        wall should be palpated to ascertain the general temperature and condition 
        of the skin. When there is air leaking from the lung into the subcutaneous 
        tissues, fine bubbles create crackling sounds and sensations when being 
        palpated. This condition is called subcutaneous emphysema, and 
        the sensation produced during palpation is referred to as crepitus. Percussion The act of tapping on a surface in order to evaluate the 
        underlying sound is called percussion, and percussion of the patient’s 
        chest wall creates a sound and palpable vibration that is useful in evaluating 
        underlying lung tissue. The vibration created by percussion penetrates 
        the lung to a depth of about 5-7 cm below the chest wall. To perform chest percussion, the middle finger of the 
        left hand is placed firmly on the area to be percussed. The back of it 
        middle phalanx is then struck with the tip of the middle finger of the 
        right hand. Deliver the stroke from the wrist and finger joints, bending 
        the percussing finger so its terminal phalanx is at right angles to the 
        metacarpal bones when the blow is delivered, and it strikes the pleximeter 
        finger in a perpendicular way. Percussion over normal lung fields produces a low-pitch 
        sound that is easy to hear (referred to as normal resonance). Resonance 
        is said to be increased when the percussion note is louder and lower in 
        pitch. Percussion may also produce a high-pitched, short in duration sound 
        that is dull or flat, just the opposite of resonance. The percussion of 
        the chest alone has little clinical implication. However, when it is considered 
        with other findings, it can yield essential information. Chest percussion is generally performed evaluate the extent 
        of diaphragmatic excursion and air-fluid levels. The note heard on percussion 
        becomes more resonant as the diaphragm descends and lungs fill 
        with air. When the sound changes to a dull note, it indicates the limit 
        of diaphragm descent. The less resonant the percussion notes are indicative 
        of tissues that are more dense. As a result, air naturally produces 
        the most resonant notes, such as is heard over a pneumothorax. Normal 
        lung tissue produces duller notes, with accumulation of fluids producing 
        even duller notes. The dullest of all notes are heard when percussing 
        over bone structure. Abnormalities that increase lung tissue density, such 
        as atelectasis or pneumonic consolidation, result in a loss of resonance 
        and a dull percussion note above the affected area. |