Chapter 4: |
Examination
of the Chest |
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Thoracic expansion
The patient’s chest wall normally expands symmetrically
during deep inhalations, and the RCP can evaluate the expansion
on both the anterior and posterior chest. The RCP first places hands
over the anterolateral chest, extending the thumbs along the costal
margin toward the xiphoid. To evaluate it posteriorally, the hands
are placed over the posterolateral chest, with thumbs joining at
approximately T8. Instruct the patient to exhale slowly and completely.
Once completed, the RCP’s fingertips are secured against the sides
of the patient’s chest, extending the thumbs toward the midline
until their tips meet at the midline. The patient is then instructed
to take a full deep breath. The RCP takes note of the distance each
thumb moves away from the midline. Normal movement is about 3-5
cm for each thumb.
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Bilateral reduction in chest expansion can usually be
seen in patients with diseases affecting the expansion of both lungs.
Unilateral reduction in expansion is indicative of a respiratory disease
that impedes expansion of one lung, such as lobar consolidation, pleural
effusion, atelectasis, or pneumothorax.
The skin and subcutaneous tissues of the chest
wall should be palpated to ascertain the general temperature and condition
of the skin. When there is air leaking from the lung into the subcutaneous
tissues, fine bubbles create crackling sounds and sensations when being
palpated. This condition is called subcutaneous emphysema, and
the sensation produced during palpation is referred to as crepitus.
Percussion
The act of tapping on a surface in order to evaluate the
underlying sound is called percussion, and percussion of the patient’s
chest wall creates a sound and palpable vibration that is useful in evaluating
underlying lung tissue. The vibration created by percussion penetrates
the lung to a depth of about 5-7 cm below the chest wall.
To perform chest percussion, the middle finger of the
left hand is placed firmly on the area to be percussed. The back of it
middle phalanx is then struck with the tip of the middle finger of the
right hand. Deliver the stroke from the wrist and finger joints, bending
the percussing finger so its terminal phalanx is at right angles to the
metacarpal bones when the blow is delivered, and it strikes the pleximeter
finger in a perpendicular way.
Percussion over normal lung fields produces a low-pitch
sound that is easy to hear (referred to as normal resonance). Resonance
is said to be increased when the percussion note is louder and lower in
pitch. Percussion may also produce a high-pitched, short in duration sound
that is dull or flat, just the opposite of resonance. The percussion of
the chest alone has little clinical implication. However, when it is considered
with other findings, it can yield essential information.
Chest percussion is generally performed evaluate the extent
of diaphragmatic excursion and air-fluid levels. The note heard on percussion
becomes more resonant as the diaphragm descends and lungs fill
with air. When the sound changes to a dull note, it indicates the limit
of diaphragm descent. The less resonant the percussion notes are indicative
of tissues that are more dense. As a result, air naturally produces
the most resonant notes, such as is heard over a pneumothorax. Normal
lung tissue produces duller notes, with accumulation of fluids producing
even duller notes. The dullest of all notes are heard when percussing
over bone structure.
Abnormalities that increase lung tissue density, such
as atelectasis or pneumonic consolidation, result in a loss of resonance
and a dull percussion note above the affected area.
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